{"id":1630,"date":"2017-09-18T03:06:55","date_gmt":"2017-09-18T03:06:55","guid":{"rendered":"http:\/\/aplacewhereyoufeelsafe.com\/?page_id=1630"},"modified":"2026-06-14T15:03:24","modified_gmt":"2026-06-14T15:03:24","slug":"publications","status":"publish","type":"page","link":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css=&#8221;.vc_custom_1506655632946{margin-top: 50px !important;}&#8221;][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row gap=&#8221;15&#8243;][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1505866979621{padding-right: 10px !important;}&#8221;][vc_single_image image=&#8221;1821&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][vc_custom_heading text=&#8221;Livres et catalogues \/ Books and catalogs&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text]<span style=\"font-size: 14px;\">S\u00e9bastien Cliche, Charles Guilbert, LA DOUBLURE \/ DOUBLINGS, \u00c9dition du Centre d&#8217;art et de diffusion Clark, 2014<\/span><\/p>\n<p><span style=\"font-size: 14px;\">S\u00e9bastien Cliche, R\u00e9sidences Crois\u00e9es Qu\u00e9bec &#8211; Alsace, Agence Culturelle Alsace, Langage Plus, 2011<\/span><\/p>\n<p><span style=\"font-size: 14px;\">S\u00e9bastien Cliche, Serge Lamothe, LE NID DE L&#8217;AIGLE, \u00c9dition J&#8217;ai VU, 2010<\/span><\/p>\n<p><span style=\"font-size: 14px;\">Julie B\u00e9lisle, M\u00e9lanie Boucher et Audrey Genois, BASCULER \/ cat. d&#8217;exposition, Galerie de l&#8217;UQAM, 2008<\/span><\/p>\n<p><span style=\"font-size: 14px;\">SAGAMIE, L\u2019IMPRIM\u00c9 NUM\u00c9RIQUE EN ART CONTEMPORAIN, Les \u00c9ditions d\u2019art Le Sabord, 2007<\/span><\/p>\n<p><span style=\"font-size: 14px;\">S\u00e9bastien Cliche (commissaire), L&#8217;OREILLE DANS L&#8217;OEIL \/ THE HEARING EYE , Cat. d&#8217;exposition+ CD audio. Centre CLARK, 2007<\/span><\/p>\n<p><span style=\"font-size: 14px;\">Robert Dufour, NARRATION &#8230; DAMNATION \/ fascicule de l&#8217;exposition, Maison de la culture C-d-N, 2005<\/span><\/p>\n<p><span style=\"font-size: 14px;\">Bernard Sch\u00fctze, PALPABLE ANXIETY, INTANGIBLE DANGER \/ Catalogue SKOL 2003-2004<\/span><\/p>\n<p><span style=\"font-size: 14px;\">Mona Hakim, INSULARIT\u00c9: SIXI\u00c8ME BIENNALE DES ARTS VISUELS DE LA C\u00d4TE-NORD \/ Catalogue d&#8217;exposition. 1996<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1505866986555{padding-right: 10px !important;}&#8221;][vc_custom_heading text=&#8221;Articles \/ Press&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1781449344877{margin-bottom: 10px !important;}&#8221;]Jean-Michel Quirion, S\u00e9bastien Cliche, Fluctuation du semblable, Ciel Variable #130, Sept. 2025<\/p>\n<p>Anne-Marie Dubois, S\u00e9bastien Cliche : Portfolio, Esse #115, Sept. 2025<strong><br \/>\n<\/strong><a href=\"https:\/\/esse.ca\/capsule\/esse-115-decomposition\/\">https:\/\/esse.ca\/capsule\/esse-115-decomposition\/<\/a>[\/vc_column_text][vc_single_image image=&#8221;2754&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;.vc_custom_1781449352823{margin-bottom: 10px !important;}&#8221;]Suboart Magazine VOL.44<strong><br \/>\n<\/strong><a href=\"https:\/\/suboartmagazine.com\/2025\/08\/17\/suboart-magazine-nr-44\/\">https:\/\/suboartmagazine.com\/2025\/08\/17\/suboart-magazine-nr-44\/<\/a><\/p>\n<p><a href=\"https:\/\/aplacewhereyoufeelsafe.com\/wp-content\/uploads\/2024\/04\/article_Devoir_avril2024_opt.pdf\" target=\"_blank\" rel=\"noopener\">Sur les ruines de notre monde\u2026, Nicolas Mavrikakis, Le Devoir, 11 avril 2024<\/a>[\/vc_column_text][vc_single_image image=&#8221;2303&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;.vc_custom_1724532769084{margin-bottom: 10px !important;}&#8221;]<a href=\"https:\/\/inter-lelieu.org\/revues\/inter142\/\" target=\"_blank\" rel=\"noopener\">Inter n\u00b0 142 &#8211; M\u00e9lancolie \u00e0 l\u2019\u00e8re de la technique, Automne 2023<\/a><\/p>\n<p><a href=\"https:\/\/viedesarts.com\/perspectives\/vivre-laccident\/\" target=\"_blank\" rel=\"noopener\">Charles Guilbert,\u00a0VIVRE L&#8217;ACCIDENT, Vie des Arts #266 \u2013 Printemps 2022<\/a>[\/vc_column_text][vc_single_image image=&#8221;2266&#8243; img_size=&#8221;full&#8221;][vc_column_text css=&#8221;.vc_custom_1697900359596{margin-bottom: 10px !important;}&#8221;]<a href=\"https:\/\/viedesarts.com\/portraits\/sebastien-cliche-le-laboratoire-de-la-conscience\/\" target=\"_blank\" rel=\"noopener\">Charles Guilbert,\u00a0LE LABORATOIRE DE LA CONSCIENCE, Vie des Arts #257, Jan 2020.<\/a><\/p>\n<p><a href=\"https:\/\/esse.ca\/jeune-critique\/eclats-de-memoire-regards-singuliers-sur-un-patrimoine-collectif\/\" target=\"_blank\" rel=\"noopener\">Anna Brunette, \u00c9CLATS DE M\u00c9MOIRE : REGARDS SINGULIERS SUR UN PATRIMOINE COLLECTIF, Esse #94<\/a><\/p>\n<p>Julien St-Georges Tremblay, LA MARGE DE L&#8217;UTOPIE, Inter Art Actuel #129, prin. 2018, p.76.<\/p>\n<p><a href=\"http:\/\/mi.lapresse.ca\/screens\/1fa24a3c-51ee-4941-83e1-50f9299d8bee__7C___0.html\" target=\"_blank\" rel=\"noopener\">\u00c9ric Cl\u00e9ment, \u00c9CLATS DE M\u00c9MOIRE, ANOBLIR NOTRE H\u00c9RITAGE, La Presse +, 26 avril 2018<\/a><\/p>\n<p><a href=\"http:\/\/cielvariable.ca\/mutations-sylvain-campeau\/\" target=\"_blank\" rel=\"noopener\">Sylvain Campeau, MUTATIONS, Ciel variable #105, Hiv 2017<\/a><\/p>\n<p><a href=\"http:\/\/www.ledevoir.com\/culture\/arts-visuels\/475525\/des-mondes-en-transformation\">Marie-\u00c8ve Charron, DES MONDES EN TRANSFORMATION, Le Devoir, 16 juillet 2016<\/a><\/p>\n<p>Anne-Marie Dubois, LE MAGASIN G\u00c9N\u00c9RAL : STUDIO INTERNATIONAL EN CR\u00c9ATION MULTIDISCIPLINAIRE, RIVI\u00c8RE MADELEINE, MUTATION, ESSE (web), juillet 2016[\/vc_column_text][vc_column_text]Sylvain Campeau, SELF CONTROL ROOM, ETC MEDIA # 103,p.49 &#8211; aut-hiv 2014<\/p>\n<p><a href=\"http:\/\/media1.ledevoir.com\/culture\/arts-visuels\/403890\/pris-au-piege\">J\u00e9r\u00f4me Delgado, PRIS AU PI\u00c8GE, Le Devoir, 2014-03-29<\/a><\/p>\n<p><a href=\"http:\/\/quebec.huffingtonpost.ca\/sylvain-campeau\/controle-des-presences_b_4945110.html\">Sylvain Campeau, CONTR\u00d4LE DES PR\u00c9SENCES, Huffington Post, 2014-03-16<\/a><\/p>\n<p>Susannah Wesley, SEBASTIEN CLICHE AT ARTICULE<em>\u00a0| <\/em>MATHIEU CARDIN AT PARISIAN LAUNDRY, Akimbo, 2014-04-18[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;1979&#8243; img_size=&#8221;full&#8221;][vc_column_text css=&#8221;&#8221;]Benjamin Martinet, S\u00c9BASTIEN CLICHE CHEZ ARTICULE, Vie des Arts, 2014-04-10<\/p>\n<p><a href=\"http:\/\/cielvariable.ca\/numeros\/ciel-variable-95-cyber-espace-public\/sebastien-cliche-la-doublure-charles-guilbert\/\" target=\"_blank\" rel=\"noopener\">Charles Guilbert, S\u00c9BASTIEN CLICHE, LA DOUBLURE, Ciel Variable, No95, Automne\/Fall 2013<\/a><\/p>\n<p><a href=\"http:\/\/brooklynrail.org\/2013\/03\/artseen\/sbastien-cliche-sylvie-cotton-chelsea-knight-and-mark-tribe-brooklynmontreal-exchange\">Gail Victoria Braddock Quagliata, S\u00c9BASTIEN CLICHE, SYLVIE COTTON, CHELSEA KNIGHT, and MARK TRIBE Brooklyn\/Montreal Exchange, The Brooklyn Rail, March 2013<\/a><\/p>\n<p>Aseman Sabet, S\u00c9BASTIEN CLICHE, LA DOUBLURE, esse arts + opinion No 77, Hiver 2013<\/p>\n<p>\u00c9milie Granjon, S\u00c9BASTIEN CLICHE, ALEX MCLEOD : LE COLLAGE \u00c0 L\u2019\u00c8RE DES TECHNOLOGIES NUM\u00c9RIQUES,<br \/>\nVie des Arts, No 229, Hiver 2013<\/p>\n<p><a href=\"http:\/\/artichautmag.com\/le-regne-du-spectateur\/\" target=\"_blank\" rel=\"noopener\">Alexandre Poulin, LE R\u00c8GNE DU SPECTATEUR, Artichautmag.com, 3 d\u00e9cembre 2012<\/a><\/p>\n<p>Josianne Desloges, MICRODRAMA \u00c0 L&#8217;\u0152il DE POISSON&#8230;, Le Soleil, Qu\u00e9bec, 14 Novembre 2010<\/p>\n<p>S\u00e9bastien Hudon, DE L&#8217;AMBIGU\u00cfT\u00c9, Voir, Qu\u00e9bec, 11 Novembre 2010<\/p>\n<p><a href=\"https:\/\/esse.ca\/jai-peur-donc-je-vis\/\" target=\"_blank\" rel=\"noopener\">Andr\u00e9-Louis Par\u00e9, J&#8217;AI PEUR, DONC JE VIS \/ ESSE #62 &#8211; p.15, Jan. 2008<\/a><\/p>\n<p>Gentianne B\u00e9langer, PR\u00c9MISSES D\u2019ANTICIPATION ET AUTRES MOD\u00c9LISATIONS DU CLIMAT SOCIAL, Trafic\u2019Art et les changements climatiques, Espace Sculpture, # 82, Hiver\/ Winter 2007\u20132008<\/p>\n<p>Malbreil Xavier \u2026PAR LA MAIN QUI FAIT SIGNE DE L&#8217;OUVRIR\u2026 Magazine du CIAC \/ no 30 \/ 2008<\/p>\n<p>Jean-Fran\u00e7ois Caron, R\u00c9INVENTER LE MONDE \/ ART LE SABORD # 74 &#8211; p.48, Juillet 2006<\/p>\n<p>Julie Faubert, L\u00c0 O\u00d9 LA CARTE D\u00c9COUPE LE R\u00c9CIT TRAVERSE \/ ESSE # 57 &#8211; p.59, Mai 2006<\/p>\n<p>Paul Everest, A QUESTION OF SAFETY AT FOREST CITY GALLERY \/ SCENE, London &#8211; ON, 10 juin 2004<\/p>\n<p>Nicolas Mavrikakis, LA PEUR AUX TROUSSES \/ VOIR, Montr\u00e9al, 27 septembre 2003<\/p>\n<p>Henry Lehmann, HEART-STOPPING TIMES \/ THE GAZETTE, Montr\u00e9al, 7 sept 2003<\/p>\n<p>Artiste invit\u00e9, INITIAL APPROCHES AND GREETINGS \/ ESSE #52 &#8211; p.54, Aut. 2003<\/p>\n<p>Artiste invit\u00e9, FOUR STEP HOME SAFETY PROGRAM, MIX (Toronto), p.2, Hiv. 2003<\/p>\n<p>Nathalie De Blois \u00ab CES GESTES QUI SAUVENT, Une incursion dans l\u2019\u0153uvre de S\u00e9bastien Cliche \u00bb \/ ETC Montr\u00e9al, d\u00e9c. 2002[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1506655632946{margin-top: 50px !important;}&#8221;][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row gap=&#8221;15&#8243;][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1505866979621{padding-right: 10px !important;}&#8221;][vc_single_image image=&#8221;1821&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][vc_custom_heading text=&#8221;Livres et catalogues \/ Books and catalogs&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text]S\u00e9bastien Cliche, Charles Guilbert, LA DOUBLURE \/ DOUBLINGS, \u00c9dition du Centre d&#8217;art et de diffusion Clark, 2014 S\u00e9bastien Cliche, R\u00e9sidences Crois\u00e9es Qu\u00e9bec &#8211; Alsace, Agence Culturelle Alsace, Langage Plus, 2011 S\u00e9bastien Cliche, Serge Lamothe, LE &hellip; <a href=\"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/publications\/\" title=\"Publications\" class=\"read-more\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages\/1630"}],"collection":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/comments?post=1630"}],"version-history":[{"count":83,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages\/1630\/revisions"}],"predecessor-version":[{"id":2824,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages\/1630\/revisions\/2824"}],"wp:attachment":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/media?parent=1630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}