{"id":1689,"date":"2017-09-18T17:00:10","date_gmt":"2017-09-18T17:00:10","guid":{"rendered":"http:\/\/aplacewhereyoufeelsafe.com\/?page_id=1689"},"modified":"2025-09-08T03:35:23","modified_gmt":"2025-09-08T03:35:23","slug":"bio","status":"publish","type":"page","link":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"

[vc_row css=”.vc_custom_1506655575390{margin-top: 50px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row gap=”15″][vc_column width=”1\/3″][vc_custom_heading text=”Bio \/ CV” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator color=”white” css=””][\/vc_column][vc_column width=”1\/3″][vc_column_text]FR<\/strong><\/p>\n

S\u00e9bastien Cliche est un artiste multidisciplinaire qui vit et travaille \u00e0 Montr\u00e9al. Depuis une vingtaine d\u2019ann\u00e9es, il produit des installations ainsi que des \u0153uvres textuelles, vid\u00e9os et sonores. Les dispositifs qu\u2019il met en place explorent la question du contr\u00f4le et ses implications tant sociales que psychologiques. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 lors d\u2019expositions individuelles et collectives \u2014 notamment au Centre d\u2019art contemporain de Meymac (France, 2008), \u00e0 l\u2019\u0152il de poisson (Qu\u00e9bec, 2010), \u00e0 Momenta Art (New York, 2013), \u00e0 CIRCA (Montr\u00e9al, 2015), au Lieu (Qu\u00e9bec, 2017), \u00e0 AXEN\u00c9O7 (Gatineau, 2019), ainsi que dans des festivals \u00e9tablis tels que MUTEK (Montr\u00e9al, 2005 et 2010). En 2012, il a re\u00e7u la bourse Claudine et Stephen Bronfman en art contemporain. En 2014, il lan\u00e7ait La doublure<\/em>, une publication portant sur le projet du m\u00eame titre pr\u00e9sent\u00e9 \u00e0 la Galerie de l\u2019UQAM (Montr\u00e9al, 2012).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]EN<\/strong><\/p>\n

S\u00e9bastien Cliche is a multidisciplinary artist living and working in Montreal. Over the past two decades, he has produced installations, as well as textual, video and sound-based art. The systems he creates explore the question of control, both psychologically and socially speaking. His work has been presented in solo and group exhibitions, notably at Centre d\u2019art contemporain de Meymac (France, 2008), \u0152il de poisson (Qu\u00e9bec, 2010), Momenta Art (New York, 2013), CIRCA (Montr\u00e9al, 2015), le Lieu (Qu\u00e9bec, 2017), AXEN\u00c9O7 (Gatineau, 2019) as well as in established festivals such as MUTEK (Montreal, 2005 and 2010). In 2012, he received the Claudine and Stephen Bronfman fellowship in contemporary art, and in 2014, he has published Doublings<\/em> a book about the project La doublure<\/em> presented at Gallerie de l\u2019UQAM (Montreal, 2012).[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][\/vc_column][vc_column width=”2\/3″][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][\/vc_column][vc_column width=”2\/3″][vc_column_text css=””]Solo
\n<\/strong>2025, Fluctuation du semblable \/ Occurrence, Montr\u00e9al
\n2024, La temp\u00e9rature de l’information \/ R3, Trois-Rivi\u00e8res
\n2024, La temp\u00e9rature de l’information \/ Circa, Montr\u00e9al
\n2023, La temp\u00e9rature de l’information \/ VU, Qu\u00e9bec
\n2021, Les entretiens \/ Espaces F, Matane
\n2019, Superviser l’oubli \/ Sporobole, Sherbrooke
\n2019, Les entretiens \/ Axen\u00e9o7, Gatineau
\n2017, Nouveaux d\u00e9veloppements \/ Le Lieu, Qu\u00e9bec
\n2017, Nouveaux d\u00e9veloppements \/ Maison de la cult. Maisonneuve, Montr\u00e9al
\n<\/strong>2015, Le sommeil trouble de l’op\u00e9rateur \/ Sporobole, Sherbrooke
\n2015, Le sommeil trouble de l’op\u00e9rateur \/ Circa, Montr\u00e9al
\n2014, Self Control Room \/ Articule, Montr\u00e9al
\n2013, Particules en mouvement \/ Langage Plus, Alma
\n2012, La doublure \/ Galerie de l’UQAM, Montr\u00e9al
\n2011, Paisajes \/ CDEx, Montr\u00e9al
\n2011, Surveillance \/ Meredith Keith Gallery, Toronto
\n2010, Microdrama \/ L\u2019\u0152il de poisson, Qu\u00e9bec
\n2009, L’inertie agit\u00e9e \/ S\u00e9quence, Saguenay
\n2006, Refuges \/ LandymoreKeith Contemporary Art, Toronto
\n2006, Pr\u00e9cipices\/On Edge \/ Galerie 101, Ottawa
\n2004, A Place Where You Feel Safe \/ Forest City Gallery, London, On
\n2003, Accidents de la vie courante \/ Centre des arts actuels SKOL, Montr\u00e9al
\n2002, La r\u00e9serve \/ L\u2019\u0152il de poisson, Qu\u00e9bec
\n2002, Vivre bless\u00e9 \/ Centre d’art et de diffusion Clark, Montr\u00e9al
\n2000, La vie en for\u00eat \/ Maison de la culture Notre-Dame-de-Grace, Montr\u00e9al
\n2000, La vie en for\u00eat \/ L’\u00c9cart, Lieu d’art actuel, Rouyn-Noranda
\n1999, Point de chute \/ No safe seats \/ Espace Vid\u00e9ographe, Montr\u00e9al
\n1998, Hygi\u00e8ne des voyages \/ Galerie Verticale, Laval<\/p>\n

Expositions de groupe et projets collectifs<\/strong>\u00a0(s\u00e9lection)\u00a0\/ Group Shows<\/strong>\u00a0(selection)
\n2025, A Scientific Approach: Visual Documents and Creative investigation Methods \/
\nLoosenart-Millepiani, Rome, Italy
\n2024, D\u00e9liquescence\/ Fonderie Darling, Montr\u00e9al
\n2024, Atlas, N\u00e9buleuse du Sphinx \/ Mus\u00e9e d\u2019art contemporain des Laurentides
\nSaint-J\u00e9r\u00f4me
\n2019, Vacance des lieux \/ Fondation Grantham, Saint-Edmond-de-Grantham
\n2018, \u00c9clats de m\u00e9moire \/ Grande Biblioth\u00e8que BAnQ \/ Art Souterrain, Montr\u00e9al
\n2016, Mutations \/ Magasin G\u00e9n\u00e9ral, Rivi\u00e8re Madeleine
\n2013, Brooklyn – Montr\u00e9al \/ Momenta Art, Brooklyn, Ny
\n2013, Ailleurs \/ Galerie SAS, Montr\u00e9al
\n2012, Montr\u00e9al – Brooklyn \/ Optica, Montr\u00e9al
\n2011, Outline \/ Meredith Keith Gallery, Toronto
\n2010, Life Form \/ Meredith Keith Gallery, Toronto
\n2008, Outrans\u2019Atlantiques \/ Abbaye Saint-Andre, Centre d’art contemporain, Meymac, France
\n2008, Bienvenue \/ Maison de la Culture Frontenac, Montr\u00e9al
\n2007, Trafic’Art – 4e \u00e9dition \/ Centre S\u00e9quence, Saguenay
\n2007, Basculer \/ Galerie de l’UQAM, Montr\u00e9al
\n2006, R\u00e9ing\u00e9nierie du Monde \/ Maison de la culture Frontenac, Montr\u00e9al
\n2005, Narration … damnation? \/ Maison de la culture C\u00f4te-des-Neiges, Montr\u00e9al
\n1999, Le salon de l’agglom\u00e9rat \/ Centre d’art et de diffusion Clark, Montr\u00e9al
\n1998, Ouverture officielle d’un espace \u00e0 venir \/ Espace Vid\u00e9ographe, Montr\u00e9al
\n1996, Biennale d’art visuel de la C\u00f4te-Nord \/ Mus\u00e9e r\u00e9gional de la C\u00f4te-Nord, Sept-\u00celes<\/p>\n

R\u00e9sidences \/ Residencies<\/strong>
\n2010, Centre europ\u00e9en d’actions artistiques contemporaines, Strasbourg, France
\n2008, Sagamie – Centre national de recherche en arts contemporains num\u00e9riques, Alma
\n2006, Sagamie – Centre national de recherche en arts contemporains num\u00e9riques, Alma
\n2005, La Chambre blanche \/ r\u00e9sidence de cr\u00e9ation Web, Qu\u00e9bec
\n2002, Avatar – “Excavation sonore”, Qu\u00e9bec<\/p>\n

Performances sonores et audiovisuelles \/ Audio and Visual Live Performances
\n<\/strong>2018, Il y aurait une table mais vous faites parfois semblant. performance sonore de S\u00e9bastien Cliche et Julie Faubert pr\u00e9sent\u00e9e par AVATAR dans le cadre de SON\/CONTEXTE 2018
\n2010, L’Inertie agit\u00e9e\/Restles Inertia (performance A\/V)
\nMUTEK, Festival international de cr\u00e9ativit\u00e9 num\u00e9rique, Montr\u00e9al
\n2010, Relev\u00e9 de terrain, Espace Tangente, Montr\u00e9al, Qc
\n( avec Christian Miron, partition audio d’une chor\u00e9graphie \u2013 chor. Julie Lebel )
\n2009, Dactylotactile (projet de Dianne Labrosse avec les s\u0153urs Schmutt)
\nFestival Voix d’Am\u00e9riques, Sala Rossa
\n2007, A Disaster A Day Keeps The Doctor Away (s\u00e9rie de performances A\/V)
\nTrafic’Art – 4e \u00e9dition, Centre S\u00e9quence, Saguenay
\n2006, Relev\u00e9 de terrain, Ensemble ind\u00e9pendant, Sept-\u00celes
\n2005, Trio+one,Julie Lebel (danse) et Gringoplaza (musique), Studio 303, Montr\u00e9al
\n2005, \/invisible field, Une journ\u00e9e au paradis, La Chambre Blanche, Qu\u00e9bec
\n2005, \/invisible field, Le Placard @ Mutek, Montr\u00e9al
\n2003, Gringoplaza, Machine 09, Salle Multi, Complexe M\u00e9duse, Qu\u00e9bec<\/p>\n

Art Web \/ Web Art
\n<\/a><\/strong>2011, PAISAJES (texte de Johanne Jarry)
\n2008, RUPTURES (invitation de la revue BleuOrange \u2013 Laboratoire NT2 \u2013 mars 2008)
\n2005, PRINCIPES DE GRAVIT\u00c9 (R\u00e9sidence Web, Chambre Blanche, Qu\u00e9bec, 2005)<\/p>\n

Commissariat \/ Curatorial Work<\/strong>
\n2014 – 2016
\nPoste audio : (poste d’\u00e9coute : autour de l’art audio)
\nCentre Clark, Montr\u00e9al, QC<\/p>\n

2012
\nPatrice Duhamel, Le catalogue des vents qui ont souffl\u00e9.
\nCentre Clark, Montr\u00e9al, Qc [ (Co)commissaire ] (catalogue)<\/p>\n

2007-2008
\nL’Oreille dans l’oeil\/The Hearing Eye (catalogue) www.loreilledansloeil.org\/
\nCentre Clark, Mtl, Qc — Galerie 101,Ottawa, On. — L’\u0152il de poisson,Qu\u00e9bec<\/p>\n

Bourses \/ Grants
\n<\/strong>Conseil des Arts du Canada
\nConseil des Arts et des lettres du Qu\u00e9bec
\nBourse Claudine et Stephen Bronfman en art contemporain\u00a0 (2012)
\nFonds Qu\u00e9b\u00e9cois de Recherche sur la Soci\u00e9t\u00e9 et la Culture (2010)<\/p>\n

Publications (s\u00e9lection)<\/strong>
\n(voir section \u00abPublications<\/a>\u00bb)<\/p>\n

Collections publiques \/ Public Collections<\/strong>
\nCollection Pr\u00eat d\u2019\u0152uvres d\u2019Art du Mus\u00e9e National des Beaux-Arts du Qu\u00e9bec
\nCollection de la Banque d’\u0152uvres d’Art du Canada
\nVille de Laval
\nVille de Sainte-Th\u00e9r\u00e8se[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1506655575390{margin-top: 50px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row gap=”15″][vc_column width=”1\/3″][vc_custom_heading text=”Bio \/ CV” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator color=”white” css=””][\/vc_column][vc_column width=”1\/3″][vc_column_text]FR S\u00e9bastien Cliche est un artiste multidisciplinaire qui vit et travaille \u00e0 Montr\u00e9al. Depuis une vingtaine d\u2019ann\u00e9es, il produit des installations ainsi que des \u0153uvres textuelles, vid\u00e9os et sonores. Les dispositifs qu\u2019il met en place explorent la question du contr\u00f4le et ses … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages\/1689"}],"collection":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/comments?post=1689"}],"version-history":[{"count":52,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages\/1689\/revisions"}],"predecessor-version":[{"id":2774,"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/pages\/1689\/revisions\/2774"}],"wp:attachment":[{"href":"https:\/\/aplacewhereyoufeelsafe.com\/index.php\/wp-json\/wp\/v2\/media?parent=1689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}